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The château was wired with an elaborate and clunky bank of synthesizers collected by Bowie and [producer Tony] Visconti. Eno would saunter into the main room, pick up a small keyboard, and begin pressing buttons. Occasionally he'd ask Visconti what these instruments were meant to do. One, the Event Harmonizer, he was told, "fucks with the fabric of time." Eno grinned and loudly declared that they must use it as much as possible.
Every French interviewer asked us about the Pixies. They figured that since we were from Boston, we must love the Pixies. Nonsense. We had no love for the Pixies.08
Sometimes Galaxie 500 got lumped in with this whole shoegaze movement (we were later dubbed protoshoegaze), but we had nothing to do with it. We didn't listen to Ride, Chapterhouse, Lush, Slowdive, Moose, or even the Jesus and Mary Chain (who were derisively known as the Jesus and Money Chain back home in our world).
All the bands hung out in this amazing backstage area, enjoying the barbecue and the sun and the scenery. All except the Ramones, who stayed in their trailer and had pizza sent up from town. This was very punk rock of them.
And what about the Edge? What was he, ten years old, calling himself the Edge?
What if I decided I wanted to be called Cool Breeze?
"The Edge is cool," said Sean [Eden].
"The Edge is not cool," I said. I don't think U2 is cool. Remember that awful video from Red Rocks, where Bono prances around with a big flag, singing, "All I have is this guitar, three chords, and the truth"? I have not forgotten.
I have a theory: If you put four monkeys in the studio for a year with [Daniel] Lanois and Eno and [Steve] Lillywhite, they would make a pretty good record, too.
*which, incidentally: way less attractive than baz luhrmann would have you believe it is.** i have never looked less like nicole kidman in my life.
**i really hated moulin rouge!.
***not marianismo, mind you; that sounds lame.